Published: 04/17/2019. There was more “hair” to the sound—great for overly clean bass guitar tracks. Once I had a working balance of the entire kit for my mix with reverbs, automation moves, etc., I ran the entire stereo stem of drums through Fusion. A nice, useful collection of excellent processors, SSL’s Fusion is becoming my go-to piece for setting up creative signal chains fast. In Stereo Insert mode the insert point can be switched to pre-Violet EQ, when in MS mode the insert can be switched to pre-Stereo Image controls. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Audiotonix acquired SSL in 2018, and Fusion is the company’s first product assembled in China under strict quality control. A master processor designed for today's hybrid studio, Fusion delivers five powerful analog coloration tools — Vintage Drive, Violet EQ, HF Compressor, Stereo Image enhancer, and SSL Transformer — from the legendary console company Solid State Logic. The first new SSL analogue EQ circuit for more than 25 years draws on the SSL legacy of carefully selected frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in low-end weight and high-end sheen. Tags ⋅ Analog ⋅ SSL ⋅ SSL Fusion ⋅ Stereo. Fusion fits right in with a collection of workflow enhancing features including: +/-12dB Input and Output Trim controls, an Input overload LED, large peak-hold metering, a front-end 3rd order High Pass Filter with three selectable cut off frequencies, and tri-colour status indicators for the Vintage Drive and HF Comp/LMC sections. We’ve gone to great lengths to ensure our high standards are maintained with on-site engineers and our test systems are linked directly, so we can monitor from HQ in Oxford, England.”, (As a side note, my own Fusion review unit was delayed briefly in shipment because of issues with the front panel finish! But I wish I could hold down the Transformer button and switch to a 300-ohm primary winding for a “hi-gain” boost! X-Over becomes a wet/dry parallel mix control! Using test tones, I ensured that I had unity throughput gain with the Manley inserted. The Width control increases or decreases the Side signal level only. There is an Output Level Trim control with ±12 dB of gain followed by the Master LED Meter. No chat, just the sound of Fusion doing its thing. I found the Violet EQ simply awesome to put a mastering “sheen” at 16 kHz (+2 or 3 dB), as well as some boom at 30 Hz (+1 or 2 dB). No chat, just the sound of Fusion doing its thing. I liked that even with the Insert bypassed in Fusion the path is still active, so I could roughly set up the compressors before “dropping” them into the path. The way they all work together or separately is amazingly intuitive, fast and conducive to creativity. Juggle the Input Trim and Output Trim to fairly compensate (for equal volume) when A/B’ing objectively. It can sound very subtle and similar to using an external analog line amp on a mix bus for “color,” or, if you prefer, crank it up to a kind of quirky compression effect and distortion. Although I’m not a mastering engineer, I did try Fusion across several different rough and finished stereo mixes. With boosted levels, I noticed a slight breakup on the attack transients, and it sounded good! Update your browser to view this website correctly. The Density control changes the additional harmonic content from even-order distortion products when the knob is toward CCW, or more odd-order third harmonics as you turn it CW. There are four places in Fusion’s chain that you can insert an external stereo processor. Available on ALL Fusion’s - hold down the HF Compressor ‘in’ button for 5 seconds and unlock full band LMC mode. The Stereo Image section has Width and Space controls and is SSL’s take on stereo shuffling. To provide an auditory confirmation of any button push, there is a relay “click” provided. Fusion: Powerful SSL Color Tools . I also tried, as a test, “over-boosting” the top end on a mix and then allowed the HF Compressor to “rein it back in” safely. Next in the chain is the purple- and pink-knobbed Violet EQ—a discrete, minimum phase 2-band analog shelving equalizer. SiX has a feature set driven by an obsessive desire for total flexibility and to encompass every creative eventuality. There is ±12 dB of gain available, and two red LEDs indicate left and right overload when input signals exceed +27 dBu. The Vintage Drive circuit is highly dependent on the input level coming into Fusion, and I liked that its controls are close by the Input Trim control. Placed at the output of Fusion are a pair of specially designed 600-ohm 1:1 transformers. Fusion is solid! This faux mastering setup worked well for quickly readying a rough mix. Estudio A Sonido enhances workflow with Solid State…, Legendary Mix Engineer Chris Lord-Alge Adds SSL Native…, Recording: The magazine for the recording musician, Abbey Road Institute Inaugurates Solid State Logic…, By submitting this form you agree to have your data processed in the method defined in the. All the pots and rotary switches are by Alps, and the bypass buttons are rubber matt switches made in Germany by Knitter. In this quick audio tour we run a single full mix and tweak the controls of Fusion in real time so you can hear it in action. Sustained notes were just slightly compressed and darker, and I didn’t notice any loss of low frequencies or a diminished punch. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ & Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Designed for stereo stems, stereo instrument tracks or the master stereo bus, Solid State Logic’s Fusion is a stereo audio analog processor with purpose-built, musical-sounding elements arranged in a chain. A set of XLR connections can be used either as a Stereo Insert for stereo mix bus processing or switched to function as a Mid-Side (MS) circuit enabling separate compressors or EQ to be applied to the middle (centre) and sides of a stereo signal. You could also patch it in the send/return insert path of a console’s stereo bus or directly on the bus output. Console grade processing for your DAW. Tags ⋅ Analog ⋅ SSL ⋅ SSL Fusion ⋅ Stereo Even from across a dark room, you can see and check their status instantly. It can be used lightly for subtle thickening saturation or driven hard for more extreme distortion. I checked that Fusion passes unity gain with an –18 dBu = 0dB @ 1 kHz reference tone with the Output and Input Trim controls on the detents. Next in the chain is HPF, a highpass filter with an 18 dB per octave slope, with Off, 30 Hz, 40 Hz and 50 Hz frequency choices available on a rotary switch. After the HPF filter are five analog “color” processor sections in this order: Vintage Drive, Violet EQ, HF Compressor, Stereo Image and Transformer (600-to-600-ohm). Boosting 20 kHz “air” was nice, too, but I reserved this boost for recordings at 88.2 or 96 kHz to avoid exacerbating the preexisting and ugly aliasing noises on cymbal crashes I heard on an old 44.1 kHz session. Matrix² is an elegant console/controller, ideal for your hybrid production studio. The meter measures from –21 dBu to +24 dBu and has a three-second peak hold time. Unlike my sometimes wonky chains of disparate analog gear, I had no worries of proper gain matching or internally overloading one section or another while trying many different effect chains. Give your studio a new heart. Visit our corporate site. I found no problematic stereo compatibility or phase cancellation issues when using it.

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