Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. Its low self-noise and extended frequency response make it ideal for recording musical instruments. Superior common-mode rejection and suppression of radio frequency interference (RFI), Overhead miking of drums and percussion instruments, Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion, Low-frequency instruments such as double bass and kick drum. The KSM141 may be used for a variety of applications other than those listed. Carrying Case for two KSM137 or KSM141 microphones and A27M stereo bar, Microphone Clip for AMS26, BETA181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands, Isolation Mount/Swivel Adapter for KSM109, KSM137, KSM141, SM63, SM81, SM94 and VP64, Popper Stopper® Pop Filter with Metal Gooseneck and Microphone Stand Clamp. For more information, please visit shure.com/prop65 open_in_new. Flat response. Low frequency cutoff. Designed for studio use, yet rugged enough for live applications, the Shure KSM141 small diaphragm end-addressed condenser microphone can withstand extremely high sound pressure levels (SPL). The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. The Shure A27M allows you to mount two microphones on a single stand with a wide range of angles and vertical separations for a variety of coincident and closely-spaced stereo configurations. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity. “Mylar” is a registered trademark of E.I. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, “Shure” are registered trademarks of Shure Incorporated in the United States. Complete product documentation, technical support materials, software and firmware, and other tools and resources for all Shure products, in one place. DuPont de Nemours and Company in the United States. Use the supplied microphone mount with floor or boom stands. Picks up sounds from all directions. In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand. Is is nearly identical to Shure’s KSM137, which has a fixed cardioid pattern. Download PDF Stereo microphone techniques give depth and spatial placement to sound sources for broadcasting, recording, or sound reinforcement applications. Three-position low-frequency filter switch reduces stand vibration noise and counteracts proximity effect. Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. Adjust the microphone angle using the knurled knob. Use this to compensate for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy. This can prevent extremely loud sounds from overloading the microphone circuitry. Premium electronic components, including gold-plated internal and external connectors. Three-position attenuation switch (0 dB, 15 dB, and 25 dB) for handling extremely high SPLs. The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction. To reduce the pickup of unwanted low-frequency mechanical vibrations, use an isolating shock mount. The image of the desired polar pattern should be directly above the notch at the base of the ring. Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and inter-modulation distortion. Omnidirectional. You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. This is the most commonly used pattern in studio recording and live-sound applications. Low frequency rolloff. (1,999 KB), A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional). Shure KSM141 Multi-Pattern Pencil Condenser Microphone The Shure KSM141 is an end-addressed electret condenser microphone with a medium diaphragm and mechanically switched pattern control. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. Use the 45 degree reference marks at the top of the knob to set the desired angle. Visit www.shure.com for more mounting options: A three-position switch on the back of the microphone lets you adjust the low-frequency response. Turn down any loudspeakers or mute the microphone at the mixing console before changing the polar pattern. Its low self-noise and extended frequency response make it ideal for recording musical instruments. THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. Maximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. These marks may be registered in other jurisdictions. Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. The attenuation switch lets you reduce the signal level without altering the frequency response. WARNING: Cancer and Reproductive Harm www.P65warnings.ca.gov open_in_new. This microphone can be purchased as a stereo pair (KSM141/SL STEREO). The Shure KSM141 is jam-packed with the pro-level features you’d expect from a microphone of this caliber. To select either the cardioid or omnidirectional polar pattern, rotate the knurled ring on the microphone in either direction until you feel a detent. What are the KSM141's main features? For more information, search “Stereo Techniques” at www.shure.com (www.shure.com/stereo-tech). A mechanical polar pattern switch toggles between a highly consistent cardioid and true omnidirectional polar patterns, making this mic perfect for a myriad of applications. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. Its class A, discrete, transformerless preamplifier captures an extremely transparent sound, and a three-position attenuation switch and low-cut filter allow for handling of extremely high sound pressure levels (SPL) and controlled bass response. However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc. Most modern mixers provide phantom power. −25 dB For use with in close proximity (less than 10 cm) to extremely loud sound sources such as drums, horns, or loud guitar cabinets. Ultra-thin, 2.5 μm 24-karat gold-layered, low-mass Mylar. A versatile, durable, and precise single cardioid polar pattern instrument microphone. We're sorry, but this item is unavailable. Some typical applications for the KSM141 are listed below. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments. A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns, providing flexibility in a wide variety of recording and performance applications. Premium bi-directional microphone featuring Roswellite® ribbon technology for world-class audio and performance. Cardioid. For stereo applications, use the optional Shure A27M Stereo Microphone Adapter. Note: Sound quality is strongly affected by microphone location and room acoustics. Flat, –6 dB/octave below 115 Hz, or –18 dB/octave below 80 Hz, Three-pin professional audio (XLR), male, balanced, Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, 11–52 V DC [4]phantom power (IEC-61938) 4.7 mA, maximum, [2]THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, [3]S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. Most modern microphone preamplifiers meet this requirement. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity. The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction. Microphone use, however, is a matter of personal taste. PAG/NAG is a concept that can be used to determine if a sound reinforcement system can produce enough gain to provide an optimal listening experience before causing feedback. This pattern is best for picking up room ambience and for miking several sources, such as an ensemble or multiple singers, simultaneously.

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