As we are playing this scale in the key of A Minor, the root note (first note) is on the 5th fret of the E string. This is shown as a one bar lick here but this can be repeated over and over again. I’ve always found the slide best suited to the pinkie. Guitar Tab showing Lick 2 containing slides and cross string picking. This is especially so for the slide, when reaching the end of a phrase or riff; the final note sounds dull or sharp or flat unless vibrato is used. Let’s refer to the double stop as high and the hammer on notes as low and we can visualise the rhythm: Guitar Tab showing Lick 8 containing hammer on and pull off flurries. This is the first shape of the minor pentatonic scale. 1. At sometime or other I’ve used them all but to keep things simple and effective, I use a real bottle neck or metal tube, cut long enough to be slightly longer than the pinkie. Listen to the intense movement of the slide on Blind Willie Johnson’s Dark Was The Night, or the almost non existent vibrato on Tampa Red’s Denver Blues. We are playing these as eighth notes so once again we have two notes falling on each beat. There are many different styles of vibrato. Lose all those noises by dampening the strings behind the slide. Slide Guitar Licks 2. This is a repeated phrase that I have shown here over one bar but a lick such as this can work great repeated over multiple bars of a lead break. Great licks don’t always have to be flashy and speedy. This lick has become a part of the blues vocabulary with bends and slides. The final lick is a 2 bar monster combining all the techniques and both scale shapes together. I’ve noticed that some players use lack of vibrato to produce quarter tones, which are carefully placed, and give an eerie effect against the proper pitched note. This is a personal choice, as with most aspects of slide playing. This lick is a repeated pull off lick on … In fact all the exercises in the Acoustic Guitar Workshop’s slide course were recorded with an old, small body Hofner, that I found in Denmark for 20 pounds. The second beat has the same pull off from 10 to 8 but as you hit the third beat you aren’t picking again, but you are sliding the 8th fret note down to the 5th fret on the B. There is then a series of four pull off runs going down the scale. Lowell George( Little Feat ) heavy. Vibrato gives your slide playing a personal touch which can reflect the intensity of your mood or your feeling for the blues. They are designed to give you a fun and easy way to get into lead guitar playing. My favorites are small bodied acoustics and resonators. Guitar Tab showing Lick 6 containing hammer ons and slides. Listen to as many players as you can and gauge the amount used which distinguishes their playing. Our final slide lick comes at the very end of Trucks’ first solo. You can vocalise a lick like this by imagining it rhythmically. On his later albums, Ry used the pick up from an old lap steel, for that real slide sound and phenomenal sustain. Avoid manufactured glass slides as they tend to lack sustain and brightness – use real bottle glass. More about these mysterious quarter tones elsewhere in the Acoustic Guitar Workshop slide course. Start with the bend on the 7th fret of the G before working up over the 5th fret on the B and E strings. This lick is focused on the D and G strings and starts with a slide into the 7th fret of the D. I would recommend starting the slide with your third finger. Think Muddy Waters, light. Guitar Tab showing Lick 10 containing a long phrase made up of pull offs, slides and string bending. This will happen over “1 & 2”. The notes used in this scale are the same notes (A, C, D, E, G). Clapton was a player who utilized fast hammer on and slide flurries to create impact in guitar solos. Each pull off actually starts on the “&” beginning on the third beat in the first bar: The pull off run ends on the 5th fret of the E string, the scales root note, which is held for a full beat before a full step bend on the 7th fret of the G ends the lick. Ex. Check them out. This frees up your first finger to play the 5th fret on the G as the next note. With added compression, like the old purple pecker, or rack effects, the slide sounds great. This lick is a repeated pull off lick on the 5th and 8th frets of the B and E strings. The second shape of the scale starts from the 8th fret which is the second note of the scale. You will hammer on from the 8 to 10 and then pull off again without picking for a second time. Guitar Tab showing Lick 9 containing pull offs, picked notes and string bending. This one will stretch you so start out going through it slow and be sure all the movements and all the notes are clear. The first two are both played over the third beat and the third bend is played on the fourth beat and sustained a little longer. Similar to the Chuck Berry style double stop lick we covered, this has a three note pattern than moves across various beats. 4 is all about getting the most out of the melody by just using one string. Sometimes the extraneous noises can be used to great effect – listen to Blind Willie Johnson. Here are 10 fun and simple licks you can play right now and get yourself started on the road to being the next guitar hero. This leads me to my next main point. The descending part of the lick starts with a pull off from the 8 to the 5 on the B and then the 7 to the 5 on the G before landing on the 7th fret of the D on the “&” of the fourth beat. Use the timings explained in the lesson as a guide to start but feel free to explore how you can phrase these licks and put your own stamp on them. The second Trucks slide lick here is pretty straight forward. Metal is good for more attack, especially electric. The phrase of the double stop followed by the hammer on flows across the first three beats. The lick is straight eighth notes and will sound great played slow or fast. This allows me more opportunity to finger chords, and play regular fretted notes as well as play the slide. This lick is a great blues style lick to end a run of notes with. Acoustic or electric, who cares. This is our A note. This lick is more rhythmic in its approach and could even be used as building blocks for a riff or rhythm part for a song. The string bend falls on the third beat and the final note lands on the fourth beat. To get into the swing of this, you can count the timing as “1 & 2 & 3 & 4 &” and apply string bends to the “2” and the “&” of 3. Starting with hammer ons across the first and second beat on the 5th and 7th frets of the D and G strings in an ascending pattern. Start slow and work your way up getting faster and faster while keeping the timing steady and even. We may link to products if we deem helpful to the reader. There have been many objects used to achieve the slide sound. It uses the high end of the second shape Minor Pentatonic scale. The heavier glass the better. Guitar Lessons Blues Guitar Lessons, Slide Guitar Lessons for Beginners. Across the first 2 beats of this lick you’ll be playing 2 notes per beat. For the purpose of improving technique, try and play cleanly and smoothly. TrueFire Guitar Review – The Giant of Online Lessons, How To Play the Blues Scale And Use It In Your Music, The 10 Best Electric Guitar Brands, Compared And Explained.

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