It is not cheap, but it is very fairly priced at under $2000. Future Publishing Limited Quay House, The Ambury, What's best about it is that, when playing live, you can use those other positions for rhythm and flick instantly to either bridge or the bridge-middle combination and it's tantamount to jumping on a humbucker pedal! We check over 130 million products every day for the best prices, The model is based on Johnson's favourite 1957 sunburst with maple neck. The lightness of the EJ is a revelation: you can play it for hours and hardly know it was there. The factory setup provides low action and tuneful intonation up and down the neck. But there's more to it than that. Who is the best acoustic guitarist of 2020? MusicRadar is part of Future plc, an international media group and leading digital publisher. © The neckplate depicts Kokopelli - a Native American symbol for the 'mischievous minstrel', Johnson prefers five springs on his vibrato, but it still works well with three. Johnson only discovered that detail after the guitar was long gone. Future US, Inc. 11 West 42nd Street, 15th Floor, All these sounds are ideal for rhythm and riffs, sparkling clean leads and of course Johnson's legendary chord voicings layered with dreamy effects. These pickups echo Johnson's love of vintage Strats and so were voiced to reflect the kinds of sounds you hear on albums like Ah Via Musicom, Tones and his excellent new release, Bloom. The information helped to explain why he hadn’t been able to find another ’54 Strat that sounded quite like it, something Johnson has referred to as “a particular kind of smooth, sustain-y tone.”. Without resorting to active electronics or humbuckers, Fender and Johnson have managed to broaden the Strat's tone at both ends of its sonic spectrum, giving dark, tight distorted sounds and huge clean or chorused chords. The second tone knob was also moved from the middle pickup to the bridge pickup, and a 500k-ohm volume pot replaced the stock 250k-ohm unit so that the highs would be less affected when the volume was turned down. Like so many Fenders these days it's almost a work of art, its fingerboard's edges having received the 'rolling' treatment that leaves it feeling smooth as silk, and its slightly larger frets perfectly set, dressed and polished. Flawless and featherweight build. The pickup choices seem ideal for this guitar, as they’re hot enough to give muscle to the tones and yet remain clear and defined. Signature guitars are a minefield of whim and fancy. "Actually the backplates are removed from all my guitars because I think they sound better with them off," he says. GuitarPlayer is part of Future US Inc, an international media group and leading digital publisher. Due to its location, the middle pickup (which doesn’t have a tone control) is a little twangier than the neck unit and another good choice for rhythm work, as is the middle/ bridge combination in position four, which yields a more typical chiming Strat sound. "All my Strats are wired this way," grins Johnson, "I've actually been doing it since the 1970s. It's flawlessly made, albeit knocking very serious money thanks to the current US Dollar exchange rate. But it's not all hyper-fat lead; Eric also loves sparkling bridge, classic Texan neck and spanky middle pickup tones, as well as those 'vocal' sounds so ably served by positions two and four. Anyone familiar with Eric Johnson will know that, apart from his magical touch on the guitar, he strives for the perfect tone. So while the resulting sonic palette is distinctly classic in timbre, there's super clarity on offer too. What represents the Holy Grail to one guitar star means little or nothing to anyone but the artist's most diehard fans. CONTROLS Master volume, tone (neck), tone (bridge), 5-way blade selector "All my guitars are like that," he confirms. It’s also nice that a good clean sound is right there when the volume is rolled down. The pickups echo Johnson's love of vintage Strats. Traditionally Strats don't have a tone control on the bridge pickup, leaving this often harsh-sounding single-coil as many people's least favourite selection. And as both 'in-between' positions on the five-way are noise cancelling, this is as close to a genuine humbucking tone as you'll find on a Strat. He understands aesthetics, is a stickler for playability and his views on great tone are legendary. Research and design on this signature model alone And with that in mind he got together with Fender and came up with this very retro-looking instrument. New York, And while you can already do this latter move on most Strats, via the middle pickup's tone pot, there's a subtle but noticeable difference here: in the standard combination the middle pickup's tone gets rolled off, but here it's the bridge pickup and that creates a tone that's just as thick, but much more defined. Please refresh the page and try again. Fender’s Stories Collection Eric Johnson 1954 “Virginia” Stratocaster is an impressive guitar for players, collectors and anyone else who wants to get as close as possible to the Stratocaster that Eric Johnson used to create game-changing music more than three decades ago. You will receive a verification email shortly. BODY Two-piece, offset seam sassafras The guitar arrived with the vibrato adjusted to seat flush to the body with five springs installed. With a new and unique design,this signature guitar is a marriage between a semi-hollow body and a traditional Stratocaster. That might have been the end of the story had it not been for the Stories Collection project. The challenges of reverse- engineering a long-lost instrument are significant, but with Johnson’s assistance, Fender got the details exactly right. You will receive a verification email shortly. All rights reserved. A great-playing and terrific-sounding replica of the 1954 “Virginia” Strat made famous by Eric Johnson. Bridge pickup tone control. "It's a 1957 sunburst with maple neck that I found in Florida when I was on tour a few years ago.". One of the standout features of the replica Virginia is its two-piece, offset-seam body made from sassafras, an uncommon guitar-building material. In doing so, the company has created a masterful Strat unlike any other. Get the latest news, reviews and product advice straight to your inbox. But Eric Johnson knows Strats inside out. Of course, on many Fenders this is now possible, but on something as vintage-vibed as this it's a rarity. A true aficionado of vintage Fender Stratocasters, Johnson is someone who knows better than most how the world's favourite electric guitar could be 'improved'. The contrast is amazing in position two, where the neck and middle pickups combine to create the thin “koto” sound Johnson uses so tastefully, and which he attributes to the pickups being out of phase. FRETBOARD Maple, 25.5” scale, 12” radius It won’t go out of tune if a string breaks, but some readjusting is necessary to use the vibrato as intended. FACTORY STRINGS Fender NPS .009–.042

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